Rise Against in Amsterdam

On the weekend after my first exams here in the Netherlands, I was more than a little bit hungover when I got on my way to Amsterdam. I blame my tired brain for the fact that I first took the train in the wrong direction. But luckily it seems that, wherever you are here with the Dutchies, you can always find another train going to the capital. So after my detour and an additional 2,40€ for taking the fast train from Rotterdam, I met my Swedish friend in the rainy, cold city. After a quick bite (cause of my lateness we unfortunately could not try out the vegan junk food place) we went to the AFAS LIVE Arena. Weird thing was, that the tickets said the concert is gonna start at 8PM, Facebook however had the beginning time at 7. The pre-pre-band actually started at 7 on the dot. But in my opinion you would not have missed anything if you ended up being there at 8.

The first band was called „Pears“ and their main agenda was to scream „heeeeey“ and have the audience answer the same. Other than that they were kind of behaving like little children in a ball bath. A ball bath with beer – according to the singer alcohol is the most important meal of the day! The following band was „Sleeping with Sirens“ and they had a huge girl fan club right behind us which was really entertaining. To be honest at first I thought their front singer was a woman. They were not too bad but just a bit too poppy and too much of show-offs for my current mood.

The complete opposite was Rise Against. You could feel that those guys have spent a lot of time on stages. Tim McIlrath is one of the most charismatic musicians I have ever seen. He could actually connect to the audience. He told stories the people actually wanted to hear, stories about the times they have played in Amsterdam in the past, times a huge part of the crowd was part of. The other members of the band were the perfect background. Each of them had their time to shine with a solo but apart from that they just focused on performing this awesome set for us.

Before the entering of the band and a bunch of times in between there were parts of a video shown on two huge screens. It was a movie of a city under attack. Only children survived and they tried to prepare for a takeover by tanks. To be honest I am not so sure anymore how it ended (something with a white flag) but it clearly showed the band’s usual statement against violence and war.

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After one of those video sections only the front singer, Tim McIlrath, entered the stage with an acoustic guitar. Like this he performed Swing Life Away, People Live Here and was joined by his band again in Hero of War. The atmosphere was amazing, I got goosebumps over and over again. Overall they took us on a tour through time, from Survive to Wolves, Satellite to Audience of One all ending in the crescendo of my favourite: Savior. After the concert my friend asked me how I felt and I just could not stop smiling. Nothing was left of my hangover, or my tiredness, nothing to be found of the frustration about the exams and life in general. I was just perfectly satisfied.  This was a performance I will never forget. Thank you Rise Against for being such a moodlifter. I very much needed that. And if I ever have the opportunity to see those guys again, I will definitely go!

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Everything Everything – No Reptiles

„Regret“, ein klasse Lied von dem Album „Get To Heaven“, hat mich zu dieser Band geführt und eigentlich wollte ich dieses posten. Doch „No Reptiles“ hat mich mit diesen Zeilen in seinen Bann gezogen.

It’s alright to feel like a fat child in a pushchair
Old enough to run
Old enough to fire a gun

Das ganze Album ist von Selbst- und Gesellschaftskritik durchzogen. So hier ein Ausschnitt aus dem Interview mit Jonathan Higgs, Sänger und Hauptsongschreiber, über den Song „No Reptiles“:

It’s written as if I’m rejected from society just about to do something awful. I wrote that at a time when I was feeling quite separate from, even against, society as a whole. I was feeling quite hateful towards my own country and my own place in the world, and feeling like I didn’t really like Britain or what it stands for. I don’t necessarily feel like that all the time, but I do sometimes.

The song has this theme of fat pouring down the streets and clogging every hole – that’s how I was feeling about the general public, me included. We’re just this blobby, inactive, privileged, big, pale blob, and I wanted to use this metaphor of this massive fat-tsunami washing through the city streets and going into the gutters. That was how I felt; it was how I felt about a big do-nothing society that hadn’t changed. It all comes back to being fat really… it’s like one of the things that you just see; I’m kind of fat, and I don’t like that about myself.

A few of my friends have become conspiracy nuts in the past few years, and I flirted with that idea for a bit, but I realised that it’s really romantic to imagine a world run by reptiles with a super-evil plan masterminding eveything. It’s much scarier, and much more likely, that the people at the top are just fat, bald, old men, like soft-boiled eggs, that are just weak-willed, with no strong feelings (good or ill). They’re lily-livered and easily swayed and quivering and wobbling. To me, that’s a horrible thought, but it also makes me feel guilty: if I was at the top, would I be a weak-willed, quivering, chubby overlord?

In terms of the song’s darker stuff, with the line „I’m gonna kill a stranger“, there is also the follow up line: „So don’t you be a stranger…“, which obviously means don’t be a stranger, don’t leave me, don’t go away etc., and it that way it’s almost a cry for help. But then it also means ‚I won’t kill you… if you’re my friend‘. It’s got this double-edged feeling throughout. Then the song changes and I’m likening myself to a fat child in a pushchair, sort of helpless and inactive and no use to anyone in the world that needs help. I’m just idle, and no one wants to be idle, but we find ourselves in that position living in this country. We’re passive, and we just get out our phones and move on. I wanted to say that in a sharp, insulting way to maybe make people snap out of that, to make them nervous and embarrassed. It’s not horrifying, but it’s a bit cruel, and I wanted to be cruel to people listening, and to myself. But then I’m saying „It’s alright…“ so it’s again this weird accusatory-slash-helpful tone.

The song ends with me saying ‚just give me one night, one moment to feel like I’m on the right path‘, pleading to just feel like I am helping the world, that I’m not useless. I think people have definitely connected to that and that sentiment of not wanting to continue as a negative or passive force in the world.

und weil ich dieses Lied einfach liebe, hier noch „Regret“